Caroline Bays PS 

Biographical Details:

1978 – 1979 Farnham School of Art & Design
1979 – 1982 Epsom School of Art & Design 1979-1982
2004 – 2006 Roehampton University

Permanent Collections:

The Brunel University Collection.

Exhibitions:
Group Exhibitions:

2016 Pastel Society Annual Exhibition.

2016 The Royal Soicety of Portrait Painters.

2016 The Brian Sinfield Gallery, Burford, Oxon.

2014-15 Brian Sinfield Gallery, Burford, Oxon.
1998/99/02/03/05-07/10-14 The Royal Society of Portrait Painters, Mall Galleries, London.
1997/99/01-03/06-14 The Pastel Society, Mall Galleries, London.
2013-14 Quest Gallery, Bath, Wiltshire.
2013 Biennale-Vire, Normandy, France. (Guest Artist)
2013 Lynn Painter- Stainers Prize, Mall Galleries.
2012-15 Royall Fine Art, Tunbridge Wells, Kent.
2012-15 The Russell Gallery, Putney, London.
2011 Ruth Borchard Self-Portrait Competition, Kings Place Gallery, London.
2011 Beldam Gallery, Brunel University, Uxbridge.
2009/10 John Adams Fine Art, Ebury Galleries, London.
2005 The Discerning Eye, Mall Galleries, London
2004-06 The Anderson Gallery, Burford, Oxon.
2004-06 Alan Klukow Fine Art, Sunningdale, Berkshire.
2001-03 The Fosse Gallery, Stow-on-the-Wold, Gloucestershire.
2002-04 The Cedar House Gallery, Ripley, Surrey.
2002 The Hunting Prize, Royal College of Art, London.
2001/2002 The Affordable Art fair, Battersea, London.
2000-03 The Bourne Gallery, Reigate, Surrey.
2000 The Garrick Milne Prize, Christies, London.
1999/2000 Waterman Fine Art, St. James’s, London.
1999/2000 Century Gallery, Henley on Thames, Oxfordshire.
1998/99/2005/08 The New English Art Club, Mall Galleries, London.

Solo Exhibitions:

The Robert Phillips Gallery, Riverhouse, Walton-on-Thames, Surrey.
Paintings & Drawings 2012, 2007, 2004, 2002.

Artist's Statement:

The drawings that I exhibit at the Pastel Society are mainly portraits and nudes in either charcoal or chalk pastels. They are the result of intense observation with attention to detail and meticulous mark making.
I endeavour to show a sense of humanity to my portraits and nudes whether it is a sense of peace and calm or an underlying tension; and I hope this is portrayed in the work. I like the impact of charcoal on white paper which has a timeless quality. However, when I do use colour I enjoy showing the subtleties of skin colouring with a fairly limited palette.

Method of Working:

I always work from the model when drawing and enjoy the linear qualities of charcoal, particularly charcoal pencil which is good for detail,
I also like the texture of Fabriano paper which helps to emphasise my line. When I work in pastel it is with a limited palette, making use of the tone of the paper.

Call for Entries

Featured Artist

Margaret Glass
Sunlit Canal

 ' Sunlit Canal  '
by
Margaret Glass

Margaret Glass PS

Biographical Details:

1950 Born on 13 April
1970 Started to regularly exhibit at Provences.
Paintings accepted into the open exhibitions of the Royal Society of Marine Artists, Pastel Society, Society of Women Artists and Royal Academy
1975 Elected an Associate Member of the Societe des Artists Francais
1980 Elected a Member of the Pastel Society
1984 Elected a Fellow of the Royal Society of Arts
1986 Elected a Member of the Societe des Pastellistes de France
1991 Invited to teach in Paris for the Societe des Pastellistes de France
1992 Awarded the title Maitre Pastellist
1993 Elected Vice President of the Societe des Pastellistes de France (UK)

Artist’s Statement

Light has always facinated Margaret. A landscape transformed by the sunsire or light reflected on water inspire her to paint. In her work she wants to point to god the creator, and for people to stop ad wonder at the beauty all around us.

Societies:

Member – The Pastel Society.

Other Societies:

MEMBER SOCIETE des PASTELLISTES de FRANCE

Method of Working:

Margaret works in both pastels and oils. Her pastel technique is the same as the oil painting process, working from dark to light. She paints on abrasive paper that enables me to build up layers of pastel without overloading the tooth of the paper. She sees this as a painting medium rather than a drawing medium that uses line with colour. In her oils she rarely uses any medium, working thin to thick and painting wet on wet. She works from life or from photographs as our weather is so unpredictable! She tends not to sketch first but work immediately on the painting, solving problems as she goes.

Awards:

W H Patterson Prize, Pastel Society, 2002 and 2006

Other Exhibitions:

2006 Featured Artist, Festival International du Pastel, Feytiat, France
1999 Guest Exhibitor, Salon National du Pastel, Paris, France
1996 ‘Solo Exhibition of Oils’, Phoenix Gallery, Lavenham, Suffolk
1996 ‘Solo Exhibition’, City Gallery, London
1989 ‘Solo Exhibition’, Paris, France
1983- Regular solo exhibitions at Phoenix Gallery, Lavenham, Suffolk
1982 ‘Solo Exhibition’, Buffalo, New York, USA

Publications:

Various articles over the years for ‘The Artist’, ‘Leisure Painter’ and ‘Pastel International’. I have also contributed illustrations of my work and painting technique in various ‘how to paint’ publications.

Website:

 http://www.margaretglass.com/ 

     


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